Gisella by A, Adam belongs to the w

Gisella by A, Adam belongs to the works of art whose names themselves have become
symbols of romanticism . The ballet expresses the ideas and images which predominated
in poetry , drama , painting and music in the nineteenth century .
The romanticists'favourite motifs - incompatibility of the dream and reality , lost
illusuons , nostalgic wistful longing for the ideal , concentrated in the main theme of a deep
and sacrificial love - have acquired an exciting hunanitarian content in Giselle.
Love is omnipoten - it even overcomes death . Giselle , which sand love so passionately
and excitingly , was born from this feeling itselt. Jules Perrot, a famous dancer
of romanticism ,conceived an idea to stage a ballet for his young wife Carlotta Grisi One
of the highest start of the European stage in the future , at that time she was a modest
debutante of the Parisian Opera, Perrot dreamed to create a performance which would
vividly reveal his sweeiheart him and helped to realize his intention, as he got to write the
scenario of a ballet for the darling Carlotta.
Gautier was closely connected with the choreographic art .He was a subile connoisseur
and passionate admirer of the ballet , having written paper articles and notices about
new shows for over thirty years. Besides, Gautier was directly involved in ehoreography.
He wrote quite a number of ballet libretti; the most celebrated of them was Giselle< a ballet
at which Gautier worked with a great deal of inspiration and admiration .
He took the plot of Giselle from the book About Germany by Heinrich Heine . It tells
a fascinating Slavic legend about the mysterious Willis, those brides who died before
their wedding. They are seized with a passion for dancing: "In wedding dresses, with
sparkling rings on their fingers and garlands with ftowing ribbons on their heads, the
Willis resemble elves dancing in the moonlight. "
The images of phantasmal dancets have captured Theophile Gautier's imagination
"In a burst of enthusiasm,- he recalled, - l took a sheet of white paper and put down
in a nice handwriting: 'The Willis - ballet'". Gautier wrote the scenario jointly with an
experienced librettist Jules Henri Saint- Georges , who actually created the first aet and
edited the second act dramaturgic outline. Another participant was the ballet master jean
Coralli, who also choreographed the ballet together with Jules Perrit. Music was written
by a popular Freneh composer, Adolphe Adam, whose operas and ballets were a great
success.
The debut of Giselle, or the Willis ballet took place the 28th of June,1841 at La
Grande Opera, then called The Royal Academy of Music. Thi theatrical reviewers
delightfully commented on performance. "There's nothing missing in this work of
art - one of them wrote, - fancy, and poetry, and music... That's what we call'bollet'".
After its brilliant Parisian premiere Giselle became an acquisition for the whole Europe.
History hadn't known any ballet performance so widely spread before. Just a year
after, it was already played in Marseilles, Trin, London, Brussels and Vienna. In 1842
Petersburg stage. The first Russian Giselle was a talented dancer Yelena Andriyanova. In
a year the famous ballet was seen by Muscovites.
Giselle was born in France. But it found its real Motherlabd in Russia. In the 1860s
the ballet left the Parisian stage. As time went by, it was also forgotten in the other European
capitals. But it lived on in Russian. In 1884 and 1889 it was twice taken up by Marius
Petipa, whose efforts restored the ballet and enriched it with new choreographic colours.
Today Giselle is one of the favourite ballets world - wide. The fashion, aesthetic testes
and artistic guidelines change in the fleeting time... But, as much as before, the buman
hearts are excited by the romanticism of the old masterpiece.

Gisella by A, Adam belongs to the works of art whose names themselves have become 
symbols of romanticism . The ballet expresses the ideas and images which predominated 
in poetry , drama , painting and music in the nineteenth century .
The romanticists'favourite motifs - incompatibility of the dream and reality , lost 
illusuons , nostalgic wistful longing for the ideal , concentrated in the main theme of a deep 
and sacrificial love - have acquired an exciting hunanitarian content in Giselle.
Love is omnipoten - it even overcomes death . Giselle , which sand love so passionately 
and excitingly , was born from this feeling itselt. Jules Perrot, a famous dancer 
of romanticism ,conceived an idea to stage a ballet for his young wife Carlotta Grisi One 
of the highest start of the European stage in the future , at that time she was a modest 
debutante of the Parisian Opera, Perrot dreamed to create a performance which would 
vividly reveal his sweeiheart him and helped to realize his intention, as he got to write the 
scenario of a ballet for the darling Carlotta. 
Gautier was closely connected with the choreographic art .He was a subile connoisseur 
and passionate admirer of the ballet , having written paper articles and notices about 
new shows for over thirty years. Besides, Gautier was directly involved in ehoreography.
He wrote quite a number of ballet libretti; the most celebrated of them was Giselle< a ballet
at which Gautier worked with a great deal of inspiration and admiration .
He took the plot of Giselle from the book About Germany by Heinrich Heine . It tells 
a fascinating Slavic legend about the mysterious Willis, those brides who died before 
their wedding. They are seized with a passion for dancing: "In wedding dresses, with 
sparkling rings on their fingers and garlands with ftowing ribbons on their heads, the
Willis resemble elves dancing in the moonlight. " 
The images of phantasmal dancets have captured Theophile Gautier's imagination 
"In a burst of enthusiasm,- he recalled, - l took a sheet of white paper and put down 
in a nice handwriting: 'The Willis - ballet'". Gautier wrote the scenario jointly with an 
experienced librettist Jules Henri Saint- Georges , who actually created the first aet and 
edited the second act dramaturgic outline. Another participant was the ballet master jean
Coralli, who also choreographed the ballet together with Jules Perrit. Music was written 
by a popular Freneh composer, Adolphe Adam, whose operas and ballets were a great 
success.
The debut of Giselle, or the Willis ballet took place the 28th of June,1841 at La
Grande Opera, then called The Royal Academy of Music. Thi theatrical reviewers 
delightfully commented on performance. "There's nothing missing in this work of 
art - one of them wrote, - fancy, and poetry, and music... That's what we call'bollet'".
After its brilliant Parisian premiere Giselle became an acquisition for the whole Europe.
History hadn't known any ballet performance so widely spread before. Just a year 
after, it was already played in Marseilles, Trin, London, Brussels and Vienna. In 1842
Petersburg stage. The first Russian Giselle was a talented dancer Yelena Andriyanova. In
a year the famous ballet was seen by Muscovites.
Giselle was born in France. But it found its real Motherlabd in Russia. In the 1860s
the ballet left the Parisian stage. As time went by, it was also forgotten in the other European
capitals. But it lived on in Russian. In 1884 and 1889 it was twice taken up by Marius 
Petipa, whose efforts restored the ballet and enriched it with new choreographic colours.
Today Giselle is one of the favourite ballets world - wide. The fashion, aesthetic testes 
and artistic guidelines change in the fleeting time... But, as much as before, the buman 
hearts are excited by the romanticism of the old masterpiece.

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Результаты (украинский) 1: [копия]

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Gisella by A, Adam belongs to the works of art whose names themselves have become symbols of romanticism . The ballet expresses the ideas and images which predominated in poetry , drama , painting and music in the nineteenth century .The romanticists'favourite motifs - incompatibility of the dream and reality , lost illusuons , nostalgic wistful longing for the ideal , concentrated in the main theme of a deep and sacrificial love - have acquired an exciting hunanitarian content in Giselle.Love is omnipoten - it even overcomes death . Giselle , which sand love so passionately and excitingly , was born from this feeling itselt. Jules Perrot, a famous dancer of romanticism ,conceived an idea to stage a ballet for his young wife Carlotta Grisi One of the highest start of the European stage in the future , at that time she was a modest debutante of the Parisian Opera, Perrot dreamed to create a performance which would vividly reveal his sweeiheart him and helped to realize his intention, as he got to write the scenario of a ballet for the darling Carlotta. Gautier was closely connected with the choreographic art .He was a subile connoisseur and passionate admirer of the ballet , having written paper articles and notices about new shows for over thirty years. Besides, Gautier was directly involved in ehoreography.He wrote quite a number of ballet libretti; the most celebrated of them was Giselle< a balletat which Gautier worked with a great deal of inspiration and admiration .He took the plot of Giselle from the book About Germany by Heinrich Heine . It tells a fascinating Slavic legend about the mysterious Willis, those brides who died before their wedding. They are seized with a passion for dancing: "In wedding dresses, with sparkling rings on their fingers and garlands with ftowing ribbons on their heads, theWillis resemble elves dancing in the moonlight. " The images of phantasmal dancets have captured Theophile Gautier's imagination "In a burst of enthusiasm,- he recalled, - l took a sheet of white paper and put down in a nice handwriting: 'The Willis - ballet'". Gautier wrote the scenario jointly with an experienced librettist Jules Henri Saint- Georges , who actually created the first aet and edited the second act dramaturgic outline. Another participant was the ballet master jeanCoralli, who also choreographed the ballet together with Jules Perrit. Music was written by a popular Freneh composer, Adolphe Adam, whose operas and ballets were a great success.The debut of Giselle, or the Willis ballet took place the 28th of June,1841 at LaGrande Opera, then called The Royal Academy of Music. Thi theatrical reviewers delightfully commented on performance. "There's nothing missing in this work of art - one of them wrote, - fancy, and poetry, and music... That's what we call'bollet'".After its brilliant Parisian premiere Giselle became an acquisition for the whole Europe.History hadn't known any ballet performance so widely spread before. Just a year after, it was already played in Marseilles, Trin, London, Brussels and Vienna. In 1842Petersburg stage. The first Russian Giselle was a talented dancer Yelena Andriyanova. Ina year the famous ballet was seen by Muscovites.Giselle was born in France. But it found its real Motherlabd in Russia. In the 1860sthe ballet left the Parisian stage. As time went by, it was also forgotten in the other Europeancapitals. But it lived on in Russian. In 1884 and 1889 it was twice taken up by Marius Petipa, whose efforts restored the ballet and enriched it with new choreographic colours.Today Giselle is one of the favourite ballets world - wide. The fashion, aesthetic testes and artistic guidelines change in the fleeting time... But, as much as before, the buman hearts are excited by the romanticism of the old masterpiece.

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Результаты (украинский) 2:[копия]

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Гізелла по А, Адам належить до творів мистецтва, чиї імена самі по собі стали
символами романтизму. Балет висловлює ідеї та образи, які переважали
в поезії, драматургії, живопису й музики, у дев'ятнадцятому столітті.
У romanticists'favourite мотиви - несумісність мрії і реальності, втратив
illusuons, ностальгічний замислений туга за ідеалом, зосереджені в головній темі глибокого
і жертовної любові - придбали захоплюючі hunanitarian вміст у Жизелі.
Любов omnipoten - це навіть долає смерть. Жизель, яка пісок любов, так пристрасно
і збудливо, народився від цього почуття itselt. Жюль Перро, знаменитий танцюрист
романтизму, задумав ідею поставити балет для своєї молодої дружини Карлотта Грізі One
вищого початку європейській сцені в майбутньому, в той час вона була скромною
дебютантка паризької опери, Перро мріяла створити спектакль, який би
яскраво розкрити його sweeiheart його, і допоміг реалізувати свій намір, як він отримав написати
сценарій балету для обраниці Карлотта.
Готьє був тісно пов'язаний з хореографічного мистецтва .Он був subile знавець
і пристрасний шанувальник балету, написавши паперові вироби і повідомлення про
нових шоу протягом більше тридцяти років. Крім того, Готьє був безпосередньо залучений в ehoreography.
Він написав цілий ряд балету лібрето; найзнаменитіший з них був Жизель
<балет, в якому Готьє працював з великим натхненням і захопленням.
Він узяв сюжет Жизель з книги про Німеччину Генріха Гейне. Це говорить
захоплюючу слов'янську легенду про таємничу Вілліс, тих наречених, які померли до
їхнього весілля. Вони захопили з такою пристрастю до танців: "У весільних сукнях, з
блискучими кільцями на пальцях і гірляндами з ftowing стрічки на головах, то
Вілліс нагадують ельфів, танцюючих у місячному світлі."
Образи Примарний dancets захопили уяву Теофіля Готьє
" У пориві ентузіазму, - згадує він, - л взяв аркуш білого паперу і поклав
в хорошому почерку: "Вілліс - балет" ". Готьє пише сценарій спільно з
досвідченим лібретист Жюль Анрі Сен-Жорж, який насправді створив першу AET і
редагував другий акт драматургічну контур. Інший учасник був балетмейстером Жан
Кораллі, який також поставив балет разом з Жюлем Перріта. Музика була написана
на популярному композитора Freneh Адольфа Адама, якого опери та балети були великим
успіхом.
Дебют Жизель, або балет Вілліс відбулася 28 червня 1841 в
Ла-Гранд-опера, яка тоді називалася Королівська академія музики , Тхі театральні рецензенти
чудово прокоментував продуктивності. "Там немає нічого безвісти в цій роботі
мистецтва - писав один з них, - уяву, і вірші, і музику ... Це те, що ми call'bollet".
Після його блискучого паризького прем'єри Жизель стала придбанням для всієї Європи.
Історія невідомо будь балетний спектакль так широко поширитися раніше. Всього лише рік
після було вже грав у Марселі, Trin, Лондоні, Брюсселі та Відні. У
тисяча вісімсот сорок дві-Петербург етапі. Перший російський Жизель була талановита танцівниця Олена Андріянова. У
рік знаменитий балет був помічений москвичів.
Жизель народилася у Франції. Але він знайшов свій реальний Motherlabd в Росії. У 1860-і роки
балет залишив паризький етап. Йшов час, він був також забули в інших європейських
столицях. Але жили російською мовою. У 1884 і 1889 він був у два рази переносили Маріуса
Петіпа, чиї зусилля відновив балет і збагатив її новими хореографічними кольорів.
Сьогодні Жизель є одним зі світу улюблені балети - завширшки. Мода, естетичні яєчка
і художні принципи зміни в скороминущої часу ... Але, так само, як і раніше, Бьюманом
серця збуджуються романтизму старого шедевра.

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Результаты (украинский) 3:[копия]

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Gisella за, Адам належить до творів мистецтва імена яких самі повинні стати
романтику символів . Балет висловлює свої ідеї та зображень, які у товарній структурі переважали
в поезії , драма , живопису й музики, у ХІХ ст .
до романтики'улюблені мотиви - несумісність сну і реальності , втратив
illusuons , ностальгійне мрійливу електроніку туга за ідеального ,Сконцентровані в головна тема глибокий
й жертовного служіння любові - набули захоплююча hunanitarian вміст у Жізель.
любов omnipoten - це навіть долає смерть . Жізель , який піску любові так пристрасно
й захоплюючому дослідженню , народився від цього почуття itselt. Жюль Perrot, відомий артист
романтизму ,задуманого ідея балетну сцену для його молода дружина Carlotta Grisi один

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