National film cultureFilms can have

National film culture
Films can have international appeal or strictly local interest, and language plays a role in this; language can be changed by dubbing or with the use of subtitles, which overcome some of the barriers to international trade in film. Preferences for particular styles and genre may mean that some films have only national or regional appeal, however. Diaspora communities have influenced the exports of films made in India and China, for instance, and some have achieved world distribution. ‘Bollywood', the term often erroneously used to suggest that the films are made in Mumbai, is in fact shorthand for the huge Indian film industry producing films in Hindi, other Indian languages and English as well. The typical film has stock characters and a large cast of singing and dancing actors. Over 1,000 films were made in 2002, with ticket sales of 3.6 billion, making Bollywood the biggest producer of films in the world and India the biggest domestic market. Japan has the third largest output of feature films and a significant home market. China is home to the fourth biggest film industry; films using the Cantonese dialect have long been made in Hong Kong, and China is now also producing film; the content mirrors that of Chinese opera and song, and, with pop stars an important ingredient, it is strongly linked to the music industry. Nigeria became a major film producer of home video movies in the 1990s, though its output is not yet included in international statistics. France is the leading European producer of feature films. This is a world industry, therefore, with strong regional markets; Hollywood nevertheless continues to hold sway, and much of the economic analysis of the film industry is concerned with the hegemony of Hollywood.

Результаты (латышский) 1:

Nacionālo filmu kultūrasFilms can have international appeal or strictly local interest, and language plays a role in this; language can be changed by dubbing or with the use of subtitles, which overcome some of the barriers to international trade in film. Preferences for particular styles and genre may mean that some films have only national or regional appeal, however. Diaspora communities have influenced the exports of films made in India and China, for instance, and some have achieved world distribution. ‘Bollywood', the term often erroneously used to suggest that the films are made in Mumbai, is in fact shorthand for the huge Indian film industry producing films in Hindi, other Indian languages and English as well. The typical film has stock characters and a large cast of singing and dancing actors. Over 1,000 films were made in 2002, with ticket sales of 3.6 billion, making Bollywood the biggest producer of films in the world and India the biggest domestic market. Japan has the third largest output of feature films and a significant home market. China is home to the fourth biggest film industry; films using the Cantonese dialect have long been made in Hong Kong, and China is now also producing film; the content mirrors that of Chinese opera and song, and, with pop stars an important ingredient, it is strongly linked to the music industry. Nigeria became a major film producer of home video movies in the 1990s, though its output is not yet included in international statistics. France is the leading European producer of feature films. This is a world industry, therefore, with strong regional markets; Hollywood nevertheless continues to hold sway, and much of the economic analysis of the film industry is concerned with the hegemony of Hollywood.

Результаты (латышский) 2:

Nacionālais kino kultūra
Films var būt starptautiska apelāciju vai stingri vietējo interesi, un valoda ir nozīme šajā procesā; valodu var mainīt dublējot vai izmantojot subtitriem, kas jāpārvar daži šķēršļi starptautiskajā tirdzniecībā ar plēvi. Preferences īpaši stilu un žanru var nozīmēt, ka dažas filmas ir tikai valsts vai reģionālo apelāciju, tomēr. Diasporas kopienām ir ietekmējuši eksportu filmu Indijā un Ķīnā, piemēram, un daži ir sasnieguši pasaules sadalījumu. "Sports", termins bieži kļūdaini lieto, lai liecinātu, ka filmas tiek veikti Mumbajā, patiesībā stenogrāfija par milzīgo Indijas filmu nozarei, kas ražo filmas hindi, citas Indijas valodās un angļu valodā, kā arī. Tipisks Filma ir akciju rakstzīmes un lielu cast dziedāšanu un dejošanu dalībniekiem. Vairāk nekā 1000 filmas tika veikts 2002. gadā, ar biļešu pārdošanas ir 3,6 miljardi, padarot Sports lielākais ražotājs filmu pasaulē un Indijas lielākais iekšzemes tirgū. Japāna ir trešais lielākais mākslas filmu produkciju un nozīmīgu vietējo tirgu. Ķīna ir mājvieta ceturtais lielākais filmu nozares; filmas izmanto Kantonas dialektā jau sen ir veikti Honkongā un Ķīnā tagad arī ražo filmu; saturs atspoguļo, ka Ķīnas operas un dziesmu, un, ar popmūzikas zvaigznēm svarīga sastāvdaļa, tā ir cieši saistīta ar mūzikas industrijā. Nigērija kļuva par galveno filmas producents no mājas video filmas 1990.gadu, lai gan tā produkcija vēl nav iekļauta starptautisko statistiku. Francija ir vadošais Eiropas ražotājs mākslas filmu. Tas ir pasaules industrija, tāpēc ar spēcīgu reģionālo tirgu; Holivudas tomēr turpina dominēt, un liela daļa no ekonomiskās analīzes filmu nozarei ir saistīta ar hegemonija Holivudas.